Collection

Boot, 2014
Cut-out in canvas
62 x 52 cm (including frame)

Attributed to Eugenio Gerli, 1950s
For Societá Compensati Curvati
Teak

Titanic, 2023
Metal frame, on wooden base and light
28 x 85 x 9 cm
Edition of 3 pieces

Eric Mathijsen, plastiek nr. 55 / 1 & 2
Papier-mâché
22 x 30 cm

EA-BT, 2020

Design by Jaap Egmond from 1974
Papier-mâché
74 x 74 cm

Bird on a Branch in the Wind, 2023
Standing drawing in stainless steel
with wooden weighted base
height 40 cm
width 75 cm
depth 10 cm
Only 1 piece left

Murano vase, 2023
Hand blown glass, made in Murano, Italy
Unique vase designed by Melvin Anderson, specially made for WonderWood

Koffiekan, 2013

Wooden coffee pot on metal base
Unique piece
75x50x10 cm

Hans Brockhage and Erwin Andrä, Schaukelwagen, 1950

This special rocking car is also part of the collection of the Stedelijk Museum Amsterdam and MoMA in New York.

Dimensions: 38 x 100 x 39 cm

De Diagonaal, ca. 1985
Oil on canvas
height 96 cm
width 96 cm

Mark Brusse, Confrontation, 1988
Bronze and stone
height 48 cm
width 40 cm
depth 28 cm

The fishing pole lamp is a Danish design by Svend Aage Holm Sørensen from the 1950s. The stand with a metal base is made of teak and has copper connectors. As 'the catch of the day', the shades of the 'fishing pole' lamp are different in shape and size.

Hugues Steiner 'Bow-Wood' chair

This 'Bow-Wood No.3' chair was designed by Hugues Steiner and produced by Steiner Meubles in 1950. This special chair has elegant legs made of bent birch wood. There are two pieces available, both in very good condition.

Scandia Ottoman

Footstool in laminated American walnut or American oak.

Also available in fully coloured veneer and with light edges.
Comes with satin chrome steel bolt base or black coated base.

Designed by Hans Brattrud in 1960.

Dimensions:

Franck Bragigand, Chair, 2016
Realistic Collection - Art Language
height 73 cm
width 53 cm

Swivel chair

The favourite of many architects

Longevity has a name. The original concept, adapted to the human body, functions reduced to the bare minimum, sustainability of the materials and the clear language of form didn't change the last y...